After that I quickly left. I didn't want to make either of us any more uncomfortable than I already had.When I got back to my apartment I fixed myself a strong drink and sat down to think about what had happened. Had Susan given up on us and decided to move on with her life. I was the one who left her. I'm the one who should be moving on. I decided right then that I was going to start dating again. In spite of my decision I felt like I had just lost something important to me. I figured that this was at least partly my fault. I was the one who decided that I needed to trick Susan into changing and now I guessed that my plan didn't work.All day that Thursday I felt sick. I don't know if the drinks I had the night before were part of the problem or not but I was sure that I was feeling the loss of Susan more that I thought I would. All this time I had thought that I had the upper hand but I was wrong.Some how I managed to get through the day and was in the process of clearing off my. Der Brief warf aber weit mehr Fragen auf, als er beantwortete. Wer hat das Tagebuch geschrieben und wann? Wer hat es dem Museum gespendet und in welcher Beziehung standen sie zu mir? Welches Museum möchte nicht ein Originaldokument aus dem 19. Jahrhundert besitzen, und warum könnte ein Tagebuch „weder zur Ausstellung noch zum Studium geeignet sein“?Der beste Ort, um diese Fragen zu beantworte, schien das in Leder gebundene Buch zu sein, das auf meinem Tisch lag, und ich löste mit ziemlicher Aufregung und Neugierde die Riemen und öffnete den Band.Ich war sofort beeindruckt von dem Bild der jungen Frau, das sehr präzise die erste Seite gemalt war. Sie war wunderschön und elegant, aber was mir auffiel, war der schelmische Blick, den der Künstle eingefangen hatte. Die unter dem Bild stehende Inschrift in verblasster Tinte beantwortete zumindest eine meiner Fragen. Basierend auf dieser ersten Seite scheint es, dass die Autorin dieses mysteriösen Tagebuchs eine markante Frau des 19..
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